CHOOSE YOUR SENSOR:



MONSTRO 8K VV

  • 35.4 Megapixel CMOS Sensor
  • 40.96 mm x 21.60 mm (Diag: 46.31 mm)
  • 60 fps at 8K Full Format (8192 × 4320)
  • 75 fps at 8K 2.4:1 (8192 × 3456)

$54,500

Shop Now

HELIUM 8K S35

  • 35.4 Megapixel CMOS Sensor
  • 29.90 mm x 15.77 mm (Diag: 33.80 mm)
  • 60 fps at 8K Full Format (8192 × 4320)
  • 75 fps at 8K 2.4:1 (8192 × 3456)

$24,500

Shop Now

GEMINI 5K S35

  • 15.4 Megapixel Dual Sensitivity CMOS Sensor
  • 30.72 mm x 18 mm (Diagonal: 35.61 mm)
  • 96 fps at 5K Full Format (5120 × 2700)
  • 75 fps at 5K Full Height 1.7:1 (5120 × 3000)

$19,500

Shop Now

DRAGON-X 5K S35

  • 13.8 Megapixel CMOS Sensor
  • 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
  • 96 fps at 5K Full Format (5120 x 2700)
  • 120 fps at 5K 2.4:1 (5120 x 2160)

$14,950

Shop Now

Superior Image Quality

DSMC2 combines advanced color science with incredible dynamic range. The result is cinema image quality that breathes life into your footage. Showcase the depths of shadows as well as highlight roll-off to capture otherwise imperceptible details.

RESOLUTION MATTERS

All RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD—and over 4x more than 4K.

Image captured 90 minutes after sunset with only available light at 3200 ISO.

GEMINI OFFERS FLEXIBILITY IN ANY SITUATION

In Low Light mode, GEMINI™ is RED's highest sensitivity sensor to date, with significantly increased performance in low-light situations and improved performance in shadows due to the new design.

Your Workflow. Simplified.

Shooting RAW has never been this easy. RED's proprietary REDCODE RAW file format, also referred to simply as R3D, gives you maximum flexibility during post. DSMC2 offers greater creative freedom via its ability to simultaneously record in both R3D and Apple ProRes or Avid DNxHR/HD.

Technical Specifications

SENSOR TYPE MONSTRO 35.4 Megapixel CMOS
EFFECTIVE PIXELS 8192 × 4320
SENSOR SIZE 40.96 mm × 21.60 mm (Diagonal: 46.31 mm)
DYNAMIC RANGE 17+ stops
MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)

60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps

12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps

2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps

3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS

8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps 

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, REDTouch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

* Tech specs reflect both current and projected information. Everything is subject to change.

SENSOR TYPE HELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS 8192 × 4320
SENSOR SIZE 29.90 mm × 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE 16.5+ stops
MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)

60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps

12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps

2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps

3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS

8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps 

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, REDTouch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

* Tech specs reflect both current and projected information. Everything is subject to change.

SENSOR TYPE GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVE PIXELS 5120 × 3000
SENSOR SIZE 30.72 mm × 18 mm (Diagonal: 35.61 mm)
DYNAMIC RANGE 16.5+ stops
MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

75 fps at 5K Full Height 1.7:1 (5120 × 3000)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps

REDCODE RAW ACQUISITION FORMATS

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, REDTouch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

* Tech specs reflect both current and projected information. Everything is subject to change.

SENSOR TYPE RED DRAGON-X 13.8 Megapixel Super 35mm CMOS
EFFECTIVE PIXELS 5120 x 2700
SENSOR SIZE 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
DYNAMIC RANGE 16.5+ stops
MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

75 fps at 5K Full Height 1.7:1 (5120 × 3000)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps

REDCODE RAW ACQUISITION FORMATS

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, REDTouch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

* Tech specs reflect both current and projected information. Everything is subject to change.