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INTEGRATED LARGE FORMAT CAMERA


*Only available at RED Authorized Rental Houses.

FEATURES:

  • Integrated I/O's
  • Three SDI outputs (two mirrored and one independent)
  • Support for wider input voltage (11.5-32V)
  • 24V & 12V power outs (two of each)
  • 12V P-Tap port
  • Integrated 5-pin XLR stereo audio input (line/mic/+48V selectable)
  • Genlock, timecode, USB, and control
  • Shimmed PL mount
  • Large diameter fan provides improved thermal performance
  • Available in V-Lock or Gold Mount variants

Complete kit includes:

  • Production Top Handle
  • PL Mount with supporting shims
  • Two 15mm LWS rod brackets
  • RED Pro Touch 7.0" LCD with 9" ARM and LCD/EVF cable
  • LCD/EVF Adaptor A and LCD/EVF Adaptor D
  • 24V AC Power Adaptor with 3-pin 24V XLR Power Cable
  • Compatible Hex and Torx tools

LARGE FORMAT MEETS HIGH RESOLUTION

With dimensions of 40.96mm x 21.60mm (Diag. 46.31mm), RED RANGER is designed for Full Frame lens coverage and its 8K resolution offers creative flexibility for content creators everywhere, giving cinematographers the cleanest and most natural imagery with unrivaled creative options.


RANGER's cinematic Full Frame capture allows for exceptional depth of field control, while its 17+ stops of dynamic range produces increased highlight retention, lower noise, and fine shadow detail - even in low-light environments. Operators are also able to nimbly transition from 8K Full Frame to 6K Super 35 by simply changing their resolution.

Find an Authorized Rental House

Technical Specifications

SENSOR TYPE MONSTRO 35.4 Megapixel CMOS
EFFECTIVE PIXELS 8192 × 4320
SENSOR SIZE 40.96 mm × 21.60 mm (Diagonal: 46.31 mm)
DYNAMIC RANGE 17+ stops
MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW ACQUISITION FORMATS

8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps 
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 

CONSTRUCTION

Aluminum Alloy

WEIGHT

7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)
7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO

Integrated dual channel digital stereo microphones,
uncompressed, 24-bit 48 kHz
Integrated dual channel 5-pin XLR
with preamplifiers, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

External R.C.P. WiFi antenna with SMA connector
Ethernet, RS232, and GPI Trigger

MONITOR OUTPUTS

3G-SDI (HD-SDI) and MON-1
1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

DSMC2® RED Touch 4.7" LCD, DSMC2® RED Touch 7.0" LCD and DSMC2® RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2® Touch 7.0" Ultra-Brite LCD, BOMB EVF® (OLED) and BOMB EVF® (LCOS) compatible with DSMC2® LCD/EVF Adaptor A or DSMC2® LCD/EVF Adaptor D, and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer,
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

* Tech specs reflect both current and projected information. Everything is subject to change.